- @Amrapali #img-anno http://t0.gstatic.com/images?q=tbn%3AANd9GcRYwSHQdv8uc4hk1_EgoFJCB1ra6urW0d-E3uYaXE8T614G73bNgA {u'shapes': [{u'geometry': {u'y': 0.09285714285714286, u'x': 0.9475982532751092, u'width': 0.02183406113537123, u'height': 0.09285714285714286}, u'type': u'rect'}], u'src': u'http://t0.gstatic.com/images?q=tbn:ANd9GcRYwSHQdv8uc4hk1_EgoFJCB1ra6urW0d-E3uYaXE8T614G73bNgA', u'context': u'http://testapp.swtr.us/annotate?where=http://t0.gstatic.com/images?q=tbn:ANd9GcRYwSHQdv8uc4hk1_EgoFJCB1ra6urW0d-E3uYaXE8T614G73bNgA', u'comment': u'Swang is a Punjabi or Haryanvi Hindi folk-theatre style. This is closely related to Naqal. This is the synonym in Hindi theatre for the north Indian form known as Nautanki. There are some differences between the comic duos of Naqqals and full-fledged dramatic performances by a troupe. This is better classified as Swang. The former has exclusively satirical content, the latter heroic romance interspersed with comic prologue and interludes. The term Swang appears with theatrical associations in Punjabi theatre as early as the religious writings of Guru Nanak. '} created: Tue, 26 Aug 2014, 09:14 PM UTC