- @Amrapali #txt-anno http://www.natfom.org/?page_id=365 {u'ranges': [{u'start': u'/div[1]/div[4]/div[1]/div[1]/div[3]/p[30]/span[1]/span[2]', u'end': u'/div[1]/div[4]/div[1]/div[1]/div[3]/p[31]/span[5]/span[1]', u'startOffset': 319, u'endOffset': 142}], u'quote': u'The Mando dance, however, had many participants, and though created by Indians it owed nothing to the classical Indian dance. It was a outcome rather of the movement of social dancing that evolved in Europe after the 11th century, its main theme being erotic passion or courtship.\n\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0\xa0 There social dancing took two forms, the more individualistic couple dance and the more communal choral dance. Both types were combined in the Mando. Choral dance and couple dance is only one of the dualities that have conditioned the evolution of the social dance; two others are procession and mimesis on the one hand and the instinctual and organized dances on the other. In social dance, procession is the rhythmic movement of dancers in orderly succession; mimesis or pantomime-the stylized enactment of courtship. As social dance evolves, the procession becomes more and more its main part, while the pantomime disappears. Instinctual dances are motivated by impulse and passion; what rules they have are learnt by observation and participation; one is encouraged to improvise.', u'permissions': {u'read': [], u'admin': [], u'update': [], u'delete': []}, u'text': u'Origin of Mando dance and types', u'tags': [u'Goa', u'Mando', u'folk-dance']} created: Wed, 11 Feb 2015, 12:04 PM UTC